A few months ago, I resolved to colour more softly. Don't load on such concentrated pigment on my paintings in the first brush stroke, but build up more gradually and more carefully, leave some areas fuzzier.
I couldn't. I just kept on loading. The Heron Lady worked fairly well, but I felt it wasn't exactly the route I was going for.
Then came a three-month period without much painting at all, and much as those suck*, I suddenly was able to apply new approaches and principles to my work.
It's something most artists experience - periods without art. Some of mine have been out of frustration (the so-called art slumps), mainly during my younger years; in recent years, I've had slumps coincide with periods of time when I couldn't draw for other reasons (health, stress, school). The funny thing is that after those art-free periods, be they slumps or otherwise, things suddenly work all on their own. Nearly every piece I did after an art-free few months in my life was a real highlight, and in some ways a development. This one's going to be another highlight, I can tell!
*And talking of art-free periods, I'm incredibly grateful that all of you have hung on with me during that time. I feel bad for having promised so much art over the summer and haven't been able to deliver, but I'm so glad to see you're still sticking with me. As soon as this one is done, I'll upload new freebies as well - finally!
Corine Hefting
2016-08-19 18:42:51 +0000 UTCNinchen
2016-08-19 18:24:21 +0000 UTCAlexandra Rena
2016-08-19 16:12:46 +0000 UTCJenny Dolfen
2016-08-19 15:54:04 +0000 UTCAlexandra Rena
2016-08-19 15:39:48 +0000 UTCJenny Dolfen
2016-08-19 14:27:07 +0000 UTCJenny Dolfen
2016-08-19 14:25:36 +0000 UTCIsabella C
2016-08-19 12:39:32 +0000 UTCGwendolyn
2016-08-19 12:08:20 +0000 UTCElena Davison
2016-08-19 11:55:20 +0000 UTC