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Ravenaelwood
Ravenaelwood

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RWD: 1.05

1.05

“A killer with the manners of a rabbit - this is the most dangerous kind.”

—GOD EMPEROR, LETO II

The Veder apartment drifted in midnight torpor: a pulse of refrigerator freon, the remote susurrus of freeway traffic, Tom’s faint snore two rooms away. Paul lingered at his bedroom window until every tick of the household convinced him no eye would open. Then the sash slid up, the evening air rushed in, and he eased himself onto the sill. Chalk marks on the clapboard showed measured footholds. A breath, a backward glance at the dark room—and gravity welcomed him. He glided down the face of the building, duffel cinched tight beneath one arm, landing cat‑quiet on the patch of winter‑hard ivy below. 

Inwardly, he counted pulsebeats—mentat measure of risk—then stepped into the arterial darkness of residential lanes where sodium vapor blurred boundary from shadow.

Side streets lay silvered beneath sodium lamps. He moved through them without hurry, a walker blending into that loose fellowship of insomniacs and shift workers who gave Brockton Bay its after‑midnight economy. Three blocks south, he found what he needed: an elderly Chrysler idling to keep a windshield from frosting while its owner argued with a neighbor indoors. The driver’s door yielded to practiced pressure on a hanger slipped past the weather strip. A minute beneath the dash, two wires twisted, and the engine became his accomplice.

Fog crept between headlight beams as he threaded back streets toward the alley where Oscar and his companions had met their last lesson. Earlier, he had bound and hidden them in a dumpster, mouths gagged should their consciousness return. He opened the bin. Four pairs of terror‑bright eyes greeted him above layers of duct tape. Muffled screams. No words. He lifted each boy into the trunk, resin tape rasping in small protests that died behind the shut lid. Seated again, he stripped Oscar’s phone from a belt clip, stashed it in the glove box, and turned the car toward Empire turf.

Apartment blocks rose like spent cartridges—brick, rust, and curtained anger. Oscar’s building squatted in the middle row. Paul parked beneath a flickering porch bulb and cut the lights. As he stepped out, the entrance door banged open. A broad‑shouldered man in sweatpants scanned the street, hand on the holstered weight at hip. Paul raised his free hand, a half‑wave, half‑apology.

“Liam? Sorry to park here.” His voice borrowed the weary cheer of designated drivers everywhere. “Oscar and the boys got wrecked at my place. Figured I’d drop them—”

Suspicion drained from Liam’s posture like water from a cracked jar. Two paces closed the space. Paul’s other hand rose, small greeting becoming swift jab: knuckles traced a nerve cluster at the throat, blade‑edge of hand found the solar plexus, and dislodged a vertebra in the neck. The gun never cleared its holster. Liam sagged into Paul’s arms with a wheeze, more shocked than afraid; he was dead before his knees brushed welcome mat. Paul shouldered the slack weight, nudged the door wide, and laid the body on a nicotine‑stained couch whose cushions exhaled stale beer.

He returned to the car for the duffel. Mask, disposable gloves, and shower cap sealed him from forensic curiosity; fresh duct tape gloves muffled shoe prints. One by one, the unconscious teens were ferried inside and posed: Mason opposite Liam as though they’d died arguing; Oscar behind the couch, shoulders hunched in mock refuge; Fiore draped over the sill of the kitchen window, reach frozen in flight; Gabe slumped on a bathroom seat, earbuds piping muffled music the boy would never again discern.

He stepped back and considered the staging: fear, haste, messy competence. Satisfied, he produced the suppressed Sig Sauer he had lifted from Liam’s belt and threaded the oil‑filter baffle onto the muzzle. A slow exhale steadied his wrist. He entered the apartment a second time. This time deliberately more violently than the last. A single whisper‑round shattered Liam’s forehead—entry small, exit a ruin hidden by couch fabric. Another hummed across the room into Mason’s heart. The kitchen received two hurried shots; plaster dust puffed, Fiore’s torso jerked, dishes clinked from the shelf. Down the hall, Gabe’s music cut short under a neat hole through crown and seatback.

Silence pooled, broken only by radiator clicks. Paul studied the positions, rotated limbs by degrees, ensuring each narrative cue aligned: surprise there, retreat here, futile defence in that corner. A drama to be read by tired detectives and furious supremacists alike.

He scattered drawers, toppled a television, tore up sofa cushions as though searching for something valuable. From a bedroom closet he drew some three‑thousand‑dollar stashed away, stuffed most into his jacket, let several loose bills flutter across the hallway. With spray can in hand, he scrawled “ABB” in dripping red beside a crude racial slur rendered in shaky Mandarin strokes—angry, careless, unmistakable. He left the can rolling, hissing faint propellant.

Gloves, mask, and cap folded into a Ziploc that joined the stolen cash. He wiped knob and banister with alcohol‑soaked gauze, shut the door behind him, and eased downstairs. Cold air met him like absolution.

Back in the Chrysler, he unlocked Oscar’s phone, found the second‑most‑dialed contact, and pressed call. A gravel voice answered on the second ring.

“Yeah?”

Thickening his accent with Chinatown cadence, he purred, “Empire boy bleed very easy tonight. ABB sending regards.” He ended the call with a burst of profanity, set the ringer to silent, and waited. The phone lit twice, thrice—ignored. Five minutes later he dialed a local news tip‑line, voice shaking with staged nerves. “Gunshots on Forty‑Seventh near Margrave—think it’s ABB and the white supremacists. A gang fight.” He broke the connection, dialed emergency dispatch, repeated the story, added that he dared not linger. Sirens would answer soon. Of no further use to him, Oscar’s phone arced into the night, landing on a sidewalk where someone would claim it come morning.

Paul drove the Chrysler back to its origination, parking it precisely against the curb’s earlier tire marks. A final wipe of steering wheel and gear lever, a gentle shut of door. For the second time tonight, he departed before the owner emerged to catch him 

Alone, he rolled his shoulders against the night chill and began the long walk home, thirty‑one hundred dollars warmer against his ribs; a Sig Sauer P322 with some ten rounds colder at the hips.

Comments

Yes. All dead.

Ravenaelwood

Is Oscar dead as well?

Constantine

All in a day's work

fireball77


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